Posted in Shakespeare, Writing

Decoding Shakespeare

Sometime in the last few weeks, while Christmas browsing on Amazon, I discovered that one of my favorite authors, Christopher Moore, has a new book coming out in a few months. Fool is the story of Shakespeare’s King Lear, told from the tale of the court Jester (a minor character is Shakespeare’s original script).

I’m a big fan of Christopher Moore, but also of Shakespeare, humorous novels, and particularly of literary parodies; so it would be difficult for any book to be more up my alley. It would be a bit of an understatement to say that I’m looking forward to it, but before the books release in February, it seems I have a little homework to do.

You see, King Lear is one of the few Shakespeare plays I haven’t read. After Books like The Eyre Affair and To Say Nothing of the Dog, I’ve learned my lesson that literary parody is so much richer if you’ve actually read the work being lampooned (Also, once you’ve read the parody, it’s too late to read the original, because you know how the story unfolds).

So while at the bookstore for a last minute gift, I headed over to the Shakespeare section, for a copy of King Lear. And once there, I found an array of new versions of Shakespeare, written with the intention of making Shakespeare a little less intimidating.

Having read most of his plays, and seen many in movie and play form, I don’t find his work all that confusing. But I can remember a time when that wasn’t the case. So looking forward to a time in the not very distant future, when my kids will be looking for help understanding the Bard, I started browsing what was available.

I’d be shooting for dramatic understatement if I said that I was impressed with what I found; particularly with the recent additions by Spark Notes. Spark Notes started out with study guides along the lines of Cliffs Notes, generally used as a substitute for reading whatever work they summarized.

But it seems there are more robust choices now. I picked up two books, both from Spark Notes No Fear Shakespeare collection. The first is King Lear (No Fear Shakespeare) which presents the original text of the play, coupled with a line-by-line modern day translation on the facing page. This is great for anyone who wants a little help with the text, without loosing all the structure and nuance that is layered into the Bard’s plays.

The second book is Macbeth (No Fear Shakespeare Graphic Novels). This version keeps the original text but presents it as a graphic novel. This one has the advantage of preserving the wonderful language of the Bard, but presenting it with some visual context—and I know seeing the play in addition to reading it was always helpful to me. Plus it comes packaged in a graphic novel format, which many kids already enjoy.

I like the fact that these newer entries into the genre are trying to help raise the reader up to Shakespeare’s level, instead of trying to dumb him down to ours.

This post was originally posted on Write Anything
where six writers talk about the trials and
tribulations of their writing lives. And each
Tuesday the soapbox belongs to me.

Posted in Fiction Friday, Writing

Fiction Friday

[Fiction] Friday Challenge for December 19, 2008:

Write a short scene, with exactly two characters that involves a terrible Christmas (or similar holiday) present.

A: What is it?
B: He called it an “object duh art”.
A: That’s cute.
B: That?!
A: No…that he tried to say it in French.
B: That’s what saved me?
A: What did?
B: His “French” pronunciation…he thought that’s what I was laughing at.
A: OK…so…objet d’art…But what is it?
B: I didn’t have the heart to ask him.
A: Is there a tag?
B: No.
A: Where did he get it?
B: At an art festival.
A: He went to an art festival.
B: Yep.
A: On his own?
B: No. He dragged his friends along with him.
A: You’re kidding.
B: Evidently they stopped at one on the way to one of the games.
A: Now you have to be kidding.
B: He says they were all walking around in football jerseys getting weird looks from the artists.
A: I can imagine. I wish I could have seen that.
B: Me too.
A: So he went to an art festival…
B: Yep…for that.
A: No. Not for that.
B: For what then?
A: If he went an art festival, he went for you. That…was an unintended consequence.
B:
A: Oh, don’t look so damned giddy.
B: Sorry.
A: So are you going to leave it out?
B: Of course I am.
A: Where?
B: That depends on what it is.
A:
B:
A: It might be a pitcher.
Posted in Looking Back

Adam Walsh Case Closed

Yesterday, police in Hollywood, Florida announced that they were officially closing the Adam Walsh Murder Case and declaring it solved. Adam Walsh disappeared on July 27, 1981—it took 10,004 days to close the case. Though no new evidence had been found or presented in the recent years, it was an external review of the case that concluded that Ottis Toole—who has been imprisoned for other murders since 1984, and dies on Death row a decade ago—was the killer.

That Ottis Toole was the killer is far from certain. Were he still alive, there would be sufficient evidence to charge him, though a conviction would be far from certain. The other primary suspect in the case was Jeffrey Dahmer—who lived in South Florida at the time. The killing does have certain things in common with other Dahmer murders, though one striking dissimilarity is that Adam was significantly younger than any of Dahmer’s other victims.

I’m not sure we’ll ever know, for certain who killed Adam Walsh. But both primary suspects died in prison, one by cirrhosis, one killed by another inmate. Maybe for Walsh’s parents it just seemed pointless to keep hounding the investigators. You can’t ever get justice for something like this anyway—the most you can hope for is closure.


The Adam Walsh murder changed my life. Not for any personal connection, but because the murder changed South Florida.

I lived in Hialeah, about 20 miles from the Mall where Adam disappeared. In fact, the week earlier, I had been at the very same store. I was 9 years old at the time. It was summer vacation, and that was the first summer I was allowed to stay home by myself. I wasn’t allowed to go anywhere except outside to play or the houses of certain friends who lived on the same block.

The few days after Adam’s disappearance, parents naturally pulled their kids closer. Now I was allowed to go to my friends houses—inside their houses—but we couldn’t play outside unless someone’s parent was watching. And after Adam’s head was found a couple of weeks later, summer basically ended. I was to stay in the house all day, all doors locked, with my mother calling in about every hour.

When I started back to school, since I was starting 6th grade, my mother had grudgingly allowed this to be the first year that I was allowed to walk home from school, and that I didn’t have to go straight to the sitter’s house. Looking back, I can’t imagine the fretting she must have done those first few days of the school year. And now I’m sure I know why my mother made me time exactly how long it took me to walk home, and why the phone was already ringing as I unlocked the front door.

In South Florida on July 27, 1981, I daresay that 99% of parents wouldn’t have thought twice about doing exactly what Revé Walsh did—leaving her son at a video game display and walking a couple of aisles away. She was close enough to hear him shout out, after all. But on July 28, 1981 any parent doing so would have been scolded—and was, because I can remember newly hired store security guards lecturing parents on the dangers of leaving kids unattended.

That one disappearance both pulled us together as a community, but also pushed us away from the people in our community that we didn’t know well.

And for the kids my age, the kids who might have played with Adam had we lived closer, the kids who had shopped at the same Sears store, the world instantly became a dangerous place.

Police started showing up at our schools, fingerprinting us, and taking photos for IDs we were never supposed to carry. And though it was never said directly to us, it was often explained in a slightly-too-loud voice to our teachers, that it could help identify our bodies if we ever turned up missing or dead.

When parents and teachers don’t explain things to kids, they develop their own theories about things. We were convinced that kids were targets and that parents didn’t want us to know exactly how much danger we were in.

That Halloween was the first that I carried two bags for candy—one for people we know (which you can keep after I go through it) and one for everyone else (straight in the trash). And the safety hysteria didn’t let up for a few years.

Kids on milk cartons and databases of missing persons were a direct result of Adam Walsh.

Life in South Florida never really went back to the way it was before Adam’s death. The country changed as well, but on a national level I don’t know how much directly followed from Adam’s death and how much from a generally more dangerous world.

Posted in Design

WordPress 2.7 and Comments

When it comes to designing WordPress themes I guess I’m not quite ready for prime time.

WordPress 2.7 was released a couple of days ago and I have upgraded. The new interface behind the scenes is nice, but I’ve been using it on wordpress.com (for a blog I contribute to) for a couple of weeks now.

And the functionality I was looking forward to—the new way WP handles comments—is a little more complicated to implement than just installing the latest version.

Supposedly the new version included comment threading—so that I, or other visitors can respond to previous comments—and comment pagination—so posts with large numbers of comments don’t go on and on for ever.

Strictly speaking, this blog doesn’t need either of these new features—after all, in the last month I’ve gotten about 25 comments. But as someone who designs websites and blog templates here and there for a few extra bucks, I feel it’s a good idea to understand how to use the new functionality.

Well at least so far WP2.7 comments are confusing. I carefully followed the instructions provided on WordPress.org for installing the new features, and all I got was an oddly formatted version of what I already had.

I guess the best way for me to figure it out is to find a functional WP2.7 theme and dissect it.

I probably shouldn’t quit my day job.

Posted in Fiction Friday, Writing

Fiction Friday

This is my first foray back into Fiction Friday in quite a while. Shameful, considering I help run the damn thing.

This didn’t really come out the way I wanted it to, but the no editing this is my own rule…

[Fiction] Friday Challenge for December 12, 2008:

Tell us the story behind this picture:
Fiction Friday Prompt

Y: What happened?
X: Oh…just a misunderstanding.
Y: A misunderstanding? That’s it?
X: Well, ok. A big misunderstanding.
Y: Are you going to elaborate?
X: It looks like your going to make me.
Y: No…I’m just…
X: Just what?
Y: I’m your friend right? I’m just making sure you’re ok.
X: I’m fine. It’s really not that big a deal.
Y: Are you sure? You seem…down.
X: I’m sure. He came over last night…he got a little…angry…and he left. That’s all.
Y: So he did it?
X: Yes. But like I said it’s not a big deal.
Y: I hope you kicked him out.
X: No. Like I said, he left.
Y: Are you sure you’re OK?
X: I’m fine. You don’t seem to be hearing me…it’s not a big deal.
Y: How could you say that? You love this place.
X: …huh?…
Y: …Do you get the feeling we’re not talking about the same thing?
X: All the time.
Y: So what are you talking about?
X: He broke up with me last night?
Y: Oh…Why?
X: You.
Y: Me?!
X: You.
Y: What’s wrong with me?
X: You want you and me to be us.
Y: Oh.
X: Thank you for not denying it.
Y: And he could tell.
X: Everyone can tell.
Y: Why did it bother him?
X: He thought that I wanted the same thing.
Y: Oh.
X:
Y: …Do you?
X: You’ve been wanting to ask me that for two years, haven’t you?
Y: Longer.
X: Yes.
Y: Huh?
X: I was answering your question…Yes.
Y: Oh.
X: You’re nervous.
Y: I know.
X: What were you talking about?
Y: What?
X: Well we’ve established what I was talking about. What about you?
Y: Oh. Your front window is broken.
X: Oh, that…
Y: What happened?
X: Nothing important. Just some kids and a baseball.
Y:
X:
Y: So…just a misunderstanding?
X: A big one I’d say.
Y: Quit smirking.
Posted in Money, Showing My Age

Driving is Fun Again

OK, I’m probably showing my age here, but…

Is it just me or has the freefall in gas prices made driving fun again.

Yesterday I filled up for $1.46/gal. Just over two months ago I filled up—at the same station—for $4.86/gal.

That’s a 70% drop in two months.

At $4.86 driving was a constant stress. With 4 kids I never had enough money left over to fill the tank, so I was always checking mileage, riding with no air conditioning, keeping the speed around 50 even on the highway—hoping I had enough gas until I got paid on Friday.

But now with prices back to 2002 levels, driving isn’t nearly as stressful. I can afford to run errands again, instead of letting them bunch up and taking care of all of them at Wal-Mart (the closest business to my home).

My first real car (aside from the puke-green Pinto that lasted six weeks) was a diesel VW Rabbit. I used to fill that up for $10 and drive for a week and a half, and that was with my college and home across the city from each other. So the lower gas bills are giving driving a very nostalgic feel right now.

I know the economy is doing badly right now, and I really do feel for the people who are struggling—hell, I’m one of them. But this silver lining is awfully…silver.

Posted in Writing

The Holidays in Verse

Instead of answering yesterday’s post—by Janie—in her comments I thought I’d keep the thread going.

Unlike Janie, the written word wasn’t really part of my holiday tradition when I was young. Both my parents were singers, active not only in the church choir, but in Barbershop/Sweet Adelines as well. The holiday season was a hectic blur of rushing from one performance to another, often being drafted as an additional voice, or the head of an impromptu children’s chorus to round out the caroling. There never seemed to be any time to read.

For me the holiday stories that evoke the most vivid memories are the stories told in carols and Christmas songs, and the stories most often performed during the season—’Twas the Night Before Christmas, and A Christmas Carol.

I remember choir directors telling rooms full of people the stories of O Tannenbaum, Silent Night, and The Twelve Days of Christmas, and baritone-voiced pastors reciting ‘Twas the Night to spellbound kids.

Years later I started to seek out Christmas Stories to read, but generally not the classics. I’m a big fan of modern Christmas stories, and retooled classics—Scrooged is my favorite Christmas movie.

But to me Christmas has just never been about the written word.

This post was originally posted on Write Anything
where six writers talk about the trials and
tribulations of their writing lives. And each
Tuesday the soapbox belongs to me.

Posted in Writing

Muse Flash: When You Grew Up…

What did you want to be when you grew up? Not when you were twelve and were giving the question serious thought, but when you were eight and the world was still all magic and possibilities.

Answer this question on your own blog, then leave a comment with your answer and a link to your post.

I wanted to be the voice of Donald Duck. I don’t remember when I learned that I could imitate Donald Duck’s voice, or if it was by chance of by effort on my part. All the way back to the crib I found Donald Duck to be hilarious, and his voice especially so. My mother said that when we went to Disney World when I was about a year and a half old, that I wanted nothing to do with Mickey, and freaked out when my parents told me that I’d only get to meet Donald if we found him (evidently, the day was saved by a helpful DW cast member).

During my youth I spent hours, practicing the voice—first from read-along books, and later from toys and Saturday morning cartoons. Speaking in Donald’s voice never failed to make my mom or papa laugh, and I think one of the reasons I practiced it so much was because it seemed it could cheer people up when they were down. By the time I was about ten years old, no one I knew could tell the difference between me and Clarence Nash.

Alas, real life crept in, and the removal of my wisdom teeth altered the voice. I don’t do the voice often anymore—largely because after the wisdom teeth came out, it’s a little painful—but it’s a surefire way to make the kids laugh, even if they’re having a bad day.

Now it’s your turn. Answer this question on your own blog, then leave a comment with your answer and a link to your post.

Muse Flash is a new feature, where I’ll give you a topic for your own blog. I’m going to try it for a few posts and see if it has legs.

Posted in Holidays

Stocking Stuffers

What’s your favorite part of Christmas?

Is it giving presents? Getting presents? Mistletoe? Carols? The glut of Christmas movies? The crispness of the air? The Christmas feast? Egg Nog? Children with that haunted, anticipatory, desperate look of a junkie in rehab? Christmas specials? Family? Memories? Anticipation? Sneaking peaks at your own presents? Office parties? Office after-party gossip? The kids obsessively watching the news hoping for snow before they go back to school?

It may seem odd, but my favorite part of Christmas is stocking stuffers.

I was an only child, and generally spent Christmas with at five to eight adults, depending on what relatives made the trip in a given year. But as the only child I had to adhere to an adults’ version of Christmas—translation: the family slept in.

Sedatives aside, no self-respecting kid is going to sleep in until 10am on Christmas day, so my family used the stocking to occupy me for the first four hours of Christmas. There was always enough packed in my stocking to keep me busy and relatively quiet until the adults woke up on their own.

I remember plenty of Star Wars action figures, puzzles—I grew up in the age of Rubik, so new puzzles were plentiful—Hot Wheels, Mini Lego sets, paperback books, snacks—though if candy came along it was usually later in the day—and myriad little, cheap, filler toys.

But I always loved the little cheap filler toys. My family used to tell me a story of when my father’s college roommate came into town, and met me for the first time. I was either two or three years old. He and I hit it off, and sometime during the trip he took me to Lionel Playworld and told me I could get anything I wanted in the entire store. I picked a four-pack of Weeble Wobbles.

I just always seemed to enjoy the smaller, less constrained toys. I liked action figures instead of the sets that went along with them. I liked handheld puzzles instead of board games. I liked individual Hot Wheels rather than the full tracks.

And all that great stuff fit perfectly into a stocking.

And now I get to fill them. Five of them to be exact.

I don’t just run out to the dollar store and grab filler, although I do use that stuff to fill in the empty spaces once the real stuffers are selected and put in place. And even though with four kids, there has to be significant amount of balancing—lest someone think they got shorted—I’m always able to get a few special prizes in there that make the stocking more than an appetizer.

So, what’s your favorite part of Christmas?

Posted in Writing

Young at Heart

I’ve just discovered something about myself. I’m a great audience.

I’m a sucker for a story. It doesn’t even have to be a good story—just not a bad one. I realized this while going through my recent reading list.

To understand this it helps if you know a little about a popular theory of art called the Suspension of Disbelief.

The suspension of disbelief (also the willing suspension of disbelief) is an unconscious contract that a reader (or watcher, etc.) gives to the storyteller (or artist). It’s easiest to explain by example.

When you are in a theater watching the latest Indiana Jones movie you accept that the story you are going to be told is a little outlandish, that the hero will be the beneficiary of extraordinary luck, that it’s fundamentally OK that hundreds of people are going to die, and that there are limits to the level of special effects, and your mind makes allowance for these things as you watch the show.

The suspension of disbelief is necessary to enjoy the story being told. If you did not suspend disbelief you would question how it’s possible for a man with a whip to defeat an army with guns. And you’d be right. But you wouldn’t be enjoying the show.

So, a few days ago, while reorganizing my bookshelf—reshelving the ones I’d just read or pulled out to reference, pulling out other I had yet to read, or want to reread again—I realized that in the last month or so I’d read a lot of pulp.

I’m no snob when it comes to novels. True, some of my favorite stories came down from heavy hitters—Poe, Shakespeare, Dumas…—I also greatly enjoy the thrillers so often trashed by the literati. Heck, I actually liked The DaVinci Code…both times I read it. I think Stephen King is a master storyteller, no matter that he writes horror and bestsellers, both of which are a kiss of death among literature snobs.

I think what it comes down to is that I just enjoy reading so much that you’ve got to present me with a pretty bad book for me not to get caught up in it.

And I do get caught up.

I never figure out the killer before it’s revealed. The surprise ending that surprises no one, almost always surprises me. When an author kills off the secondary character that everyone liked, but that every other reader knew was going to die, I get upset.

See the thing is, I love stories. I love good plots, even if the characters are boring. If you’ve got no plot, but the characters are interesting you’ve still got me hooked. Even if those are so-so, but you’re a good writer, I’ll still enjoy the journey.

And to take it a step further, I love writing. One of my favorite books is about the impact of the Bill of Rights on modern life. Not much storytelling going on in there.

I suppose there are writers out there who would think this a weakness—that I can’t tell the difference between good and bad writing, or good and bad books.

I choose to look at it a little differently. I see it as a plus. I still love writing. I haven’t become so cynical that I have to look down my nose at what I don’t believe measures up to my standards.

Or to put it a different way…when I read, I still get to be a kid.