I love Franklin-Christoph pens–and I love the company, too. This is, in part, local pride as we’re both residents of North Carolina’s Research Triangle. However, I also love them because of all the companies I’ve seen, F-C seems to have a flair for experimentation and innovation.
I’ve had several Franklin-Christoph pens over the past couple of years. Most have moved on to other owners as my tastes have changed. One exception to this was the Franklin-Christoph 02 Intrinsic Anderson Pens Special Edition (black body with bright pearlescent blue section and final). But when I saw the F-C 02 Emerald & Ice version I knew I wanted it in my collection. With one notable exception, I’m not the kind of person to have multiples of the same pen, so I sold my Anderson F-C 02, and bought the Emerald & Ice.
I really think this pen is beautiful. And more importantly, the “ice” effect—done by applying some sort of texturing treatment to the interior of the cap and barrel—is something unique to my collection. The Emerald final—made of a slightly pearlescent darkish green material—provided a nice contrast to the Ice body. The pen tapers dramatically from the section, back toward the end, which results in a silhouette that is odd, but not unpleasant.
I think I would have preferred if the section was also the Emerald material. I usually write unposted, and this would have given the pen body just a bit of flair. However, I know from reading reviews of the Smoke & Ice version many people suggested wanting the section to be clear—so it’s really sort of a personal preference.
This is an uncommonly well-made pen. The shape was very well thought out—the taper ensures that the pen is only 3mm longer when posted than when capped. Where the Clear material is untreated—at the ends—the pen is crystal clear. A few reviews have mentioned that the clips feel flimsy, or cheap. I don’t know if I agree, but I also really don’t care about clips, as long as they keep the pen where it should be.
The construction highlight of this pen is the threads that seal the pen to the cap. They are all the way down at the end of the section. Not only are they so forward that you won’t touch the threads unless you hold your pen uncommonly close to the nib. But even if you do, F-C used block threads so there are no sharp ridges.
It’s a C/C. I like C/Cs. The threads are at the very end of the section, so they will get inky; but since they’re block threads they’re just as easy to wipe off as any smooth part of the pen.
It’s also made to work as an eyedropper. In fact, as other reviews have touched on, the “ice” effect seems to be enhanced when using the pen as an eyedropper. But I hate eyedroppers. My hands are always a little warm, and no matter what I do I wind up with globs of ink on the page. So I’ll never get to see this pen in all its glory.
I got the Steel Extra Fine nib. While there’s nothing special about the nib, it came in perfect condition. Smooth, and had obviously been tuned—wet but not too wet. No spring to it—at least not yet. IN the near future this one will be headed off to Art of Art’s Nibs for the Tomahawk treatment.
Test Drive: 9/10
This pen feels great in my hand—which I already knew from my previous experience with the F-C 02. Of all the F-C pens I have tried (02, 19, 25, 27, 29) this is my favorite. They’re all great writers but this one feels the best—it just fits my hand and my writing.
What stops it from being a 10 is that the cap is not particularly secure when posted. After a couple of minutes of writing the cap loosens a little, and while it’s never fallen off it will loosen enough that it will rattle a little, until I either take it off the pen or re-secure it.
The Franklin-Christoph 02 Intrinsic Emerald & Ice. Beautiful, well-built and a great writer, it’s a great everyday pen.
There are plenty of reviews of the various Nock Cases lurking around the web. This one will have a different focus. I’m going to take a look at the cases as a group. Think of it like a review of a collection of short stories instead of just a single story.
I was a backer for Nock’s Kickstarter campaign. While others bought several cases, or even the whole lineup, I only signed up for a single Hightower case. Frankly I had concerns that the fabric they used would be too rough for pens with more delicate finishes. So I decided to try one, and see how I liked it.
In the subsequent year+ I’ve had several of these cases come in and out of my possession (which should tell you how I felt about the fabric once I had it), I’ve had several low-level email exchanges with Brad (assuming he doesn’t have someone else answering his emails), and I’ve manually modified two of the cases. And I’ve carried the cases every day. In short, I’ve had enough interaction with the cases and the company to give a thorough review.
To begin here’s a list of all the cases I’ve had. The ones in bold I still have.
Brasstown, Forrest/Sunshine: This is the one I carry in my messenger bag when I go to work. It gets used maybe 2-3 days each week.
Brasstown, Mandarin/BlueJay, Modified: I’ve modified this one so that it holds larger items. At this point it’s sort of a catch-all for larger items (harmonicas, knives) if I’ll be carrying them around or packing them in luggage.
Hightower, Steel/Mango: This one has two main uses. It’s my go-to case if I just need one or two pens and a small notebook, but I also use it to transport pens in my bag on the workdays that I don’t use the Brasstown.
Hightower, Mandarin/BlueJay: Given away as a gift.
Hightower, Steel/BlueJay: This was the one I got through the Kickstarter. I ripped out one of the bartacks to combine two pen slots into one larger slot. Unrelated to the modification the case got dropped in the parking lot and the oil wouldn’t come out.
Sassafrass, Mandarin/Mango: Sent in error and returned to Nock…but I looked it over first. I liked the color combo so much I bought a new Lookout in this combo.
Lookout, Mandarin/Mango: I use the Lookout when I’m going somewhere to write and I’m taking my Midori or large Rhodia pad.
Lookout, Steel/Mango (sold as part of downsizing pen collection)
Lookout, Forrest/Sunshine (sold as part of downsizing pen collection)
Fodderstack XL, Mandarin/BlueJay: The Fodderstack XL is my newest addition to the range, and I carry it around at work, loaded with a pen, a pocket notebook, and some index cards.
Appearance (Comments for all models as a group)
The Nock Cases have a rugged, casual look about them. If you’re a style conscious person it might look out of place to pull one of these cases out of your suit pocket or leather briefcase, but they go along perfectly with backpacks and casual bags. That’s not a knock against them, but cases are chosen as much for their looks as how they protect your pens. And if you’re expecting a case that looks rich, you’re going to be disappointed. These are cases designed for EDC—after all, they’re named after mountains.
Each of the cases (except for a version that I have never owned) are made of two different grades of Nylon. The color combinations change from time to time—there are seven right now, and a few more have been phased out, or were used for limited runs. The interior colors are fairly bright—with one exception—while the exterior tend to be darker, but the Mandarin and Sky colors are fairly bright. Personally I think the color choices are nice. And while I understand why we can’t mix-and-match our own color combinations, it sure would be nice. In case Brad reads this…please make the new “Halftower” in a new Forrest/Mango combo.
Construction (Comments for all models as a group)
I’ve already said these cases are designed for EDC, so it’s no surprise that construction is where these cases shine. They are sewn with a variety of seams—exposed, hidden, reinforced, and bartack—and all of them are solid. I’ve now modified two cases by ripping out stitches, and ripping them out was no easy task. It took 5-10 minutes to get out a single seam to turn two pen slots into one. Errors in manufacturing aside if you blow a seam on one of these cases you’re doing something very, very wrong with your case. Looking inward from the seams, the two different grades of nylon are strong and even after a year of use don’t have any major wear.
During the Kickstarter campaign I commented that I was skeptical that the nylon used would we be gentle enough on delicate pen finishes. While I’m much less concerned, now that I have the cases and have used them for a year, if I had any ultra-high-end, ultra-glossy pens, I still might be a little wary whether the nylon (strong, not scratchy, but not what I’d call soft either) might not dull the finish over time—BUT, and I can’t stress this enough, I’ve not had the problem with any of pens, ranging from cheap to high-end.
Price (Comments for all models as a group)
The advantages of selecting cases built to carry around, is that the materials aren’t expensive. Even taking that into account, these are a remarkable value. Prices ranging from $17 (Fodderstack XL) to $35 (Brasstown) are refreshingly low (note: there are two cases lower than $17, but I don’t have either of them). The Lookout offers secure protection for three pens, for anything short of crushing, for $20. In 2015 that’s a steal.
Company (Comments for all models as a group)
One of the advantages of buying from a small company, be it a start-up or a maker’s shop, is the ability to connect with owner or employees of the company. When I decided that I wanted to modify one of the cases I asked Brad for advice, to make sure I didn’t ruin the case. I got an email back, the same day, telling me that other’s had made similar mods, and that I should have no trouble. He even asked me to let him know how it went. Likewise, when I’ve wanted a particular model in a particular combination he can generally give me a pretty good estimate when more will be posted to the site.
All of my cases have come marked with the Made in USA label. I like this. Not for any nationalist pride, but because for this type of product it means that the work was done in one place—no wasteful shipping between manufacturing locations. It’s a few people working together to make a good product to fill a need. It’s the kind of business I’m happy to support.
On to the actual cases…
The Brasstown Holds: 6 pens with room for extras
Cons: Noisy Zipper, No Notebooks
This is Nock’s largest case. Closed, it looks not unlike a traditional pencil case. But inside is a “tongue” that unrolls to reveal 6 pen slots. The tongue does not have a flap that folds down over the pens’ clips, but that’s a good thing. Not only would the flap make the rolled-up tongue much thicker, but it’s unnecessary, as the rollup will be tucked into the zipper pouch anyway. The roll-up is large enough that even holding 6 pens there’s still a little room left over for small bits and bobs. I keep small UV keychain light (for using Noodler’s Blue Ghost to send letters to my kids), a FitBit charger, a USB drive and some days even a harmonica in there to keep my pens company. It can be a bit large for everyday use, but it’s ideal for packing into a backpack, or into luggage for a trip.
The one criticism I have—and I’ll freely admit this is a quibble—is the zipper. It’s noisy. If I don’t silence the zipper and put it in my backpack, I can hear the zippers rattle with each step. It’s not difficult to fix this; for one I cut off the zipper pulls and replace them with cord and rubber finger loops, for the other I wove cord through the zippers. Both of these solutions have the added benefit of allowing me to hand the case from a hook when needed. Ideally, this could be solved with using smaller zipper handles, rubberized zipper handles, or having a flap of fabric cover the zipper (like on the zippers of pants). I get that this would add a little to the price, and since it’s not hard to fix myself, this wouldn’t affect my use of this case. Like I said…it’s a quibble.
The Hightower Holds: 3 pens, 1 notebook
Pros: Notebook sleeve is roomier than Fodderstack XL
Cons: Can open in a bag
A small nylon folio, the Hightower opens to reveal three pen slots inside the front cover, and one notebook slot inside the back cover. There is a flap that folds down to cover the pens clips, that serves to keep the pens from sliding out of the slots when the case is closed. I love taking this one along when I go out for the day, or over to a friend’s house for the evening. I love that it holds my preferred pocket notebook, the Rhodia Unlimited 9x14cm 60 sheets, with enough room left over for index cards or a few folded sheets of paper or receipts. In fact I can even get two of these notebooks into the Hightower, though it doesn’t close all that well.
Drawbacks? Yes, one. If I put this is a bag, it sometimes works its way open. I’ve never had a pen fall out—thanks to that flap—but I have had a notebook fall out on occasion. Otherwise I just love this case.
The Lookout Holds: 3 pens
Pros: Small, Secure
Cons: No notebook
For me, this is the least versatile of all the cases. It only holds one thing—pens. Depending on the day this can be a plus or a minus. If I’m going somewhere to write, and I’m taking a larger format notebook, this case goes along perfectly—I can take three pens, or two and my ink pot. But if I’m not carrying a larger notebook with me, this one is just too limiting.
That said, if you’re packing your pens for later, the loop across the front of this case hold the pens very securely. If I toss one of these in my bag I know the pens aren’t going anywhere.
The Fodderstack XL Holds: 1 pen (2 if you’re ok with them touching), 1 notebook and/or index cards
Pros: Crazy Convenient
Cons: Fairly limited in the size of notebooks and pens
I have frustrating relationship with the Fodderstack XL. For starters, it’s a ridiculously convenient case—holding one pen and one pocket notebook. If I just want to have somewhere to take notes or write down the stray thought, this case fits the bill. However, this is not a versatile case. If I want to use it I have to adjust to it—not vice versa. The problem is the very thing that makes it convenient—its size.
It was designed to hold the Nock pocket notebook (9x14cm), so it also holds the Field Notes books easily. However, it doesn’t like my beloved Rhodia notebooks (also 9x14cm) because they’re just a tiny bit thicker than the Nock notebooks. It also doesn’t like the Clairfontaine 9×14 notebooks. So it’s not like I can’t find something to fit in there, but it’s won’t take my Rhodia notebooks because the tolerances on the small case are just that tight.
Similarly, using this case you need to be conscious of what pen you put in there. My favorite, lately, in the Franklin-Christoph 02—a fairly large pen—and it sticks up above the top of the case. So if I’m going to take this with me I can’t just toss it in my bag, but instead need to put it somewhere where the exposed end of the pen is protected. The TWSBI 580 is just a hair too long, but the Pelikan M200 is small so that one gets plenty of protection.
I love that if I’m going to a business meeting this case tucks nicely into my Suit’s lapel pocket.
I get that these cases aren’t for everybody. If you carry around twenty pens, these aren’t for you. Likewise, if you prefer cases made of leather or fancy materials, move along. But if you’re ok with the casual look and feel, these cases almost certainly have a good way for you to carry around a few pens. Whether it’s tossing your rollerballs and pencils in your backpack, or making sure you always have your favorite fountain pen at the ready, these cases are a good bet.
I’ve seen some of the teaser pictures for the new “Halftower” case which combines featured of the Hightower and Brasstown cases. Additionally I’d love to see a case that holds an A5 notebook or pad along with one or two pens. But first and foremost I’d love to see a new color combination—fingers crossed for Forrest/Mango (if not that one, then Midnight/Sunshine).
This blog has been floundering. For a while. Two years ago I moved away from my self-hosted site, to this wordpress-hosted site because I was letting the blog go to waste, and I was paying money to let it happen. But even after I moved it I didn’t seem to do anything with it.
This past week, Kristen and I decided to help each other write more. The first step is to challenge the other to blog more often—the idea being that writing at least semi-consistently in a public format will help prime the creative pump. Once that’s done—hopefully—it will be easier to make the transition to getting back to writing the creative stuff we both enjoy.
What you’re looking at now is the redesign—and new focus—of this blog. I’ve spruced it up a little with a new (free) theme and a few graphics found around the web. I’ve also changed the title to reflect what I’m planning to use this space for—the rediscover my place in the creative world.
I hope you like the design—feel free to leave comments or suggestions.
If you follow me on this blog, or on the other blog I contribute to–Today’s Author–you’ve doubtless noticed that I’ve been quiet lately.
This is not because I have no time to write. It’s because every time I sit down to write, I spend all my time trying to wring even the smallest bit of creative thought from my atrophied pool of creative energy.
For the last couple of months I’ve been free writing by hand each morning, in an attempt to get the gears grinding. But as often as not, I have resort to finding a writing prompt just to give me direction. And it feel like busy work. Sure I’m filling the pages, but it’s workaday drivel, and isn’t furthering any writing goal.
In my house I’m not the only writer. My new wife enjoys writing, too, and last year she self-published her first YA Novel. Lately, she’s stuck, too–not quite as stuck-neck-deep-in-the-mud as I’ve been, but she spends plenty of time spinning her wheels.
Last night she and I decided to try something new. We’ve challenged each other to publish something new to our own blogs at least once each week. It can be a thought, a rant, a product review, a book review, or–fingers crossed–something truly creative.
Why on our blogs, and not in our own notebooks? We’re trying to keep it public so we can nag encourage each other when the other one is falling a little short.
So, here is the first of what I hope to be a renewed creative presence on the Interwebs.
As bibliophiles, we’re often held to a higher standard when it comes to the novels we spend our time reading. Friends often assume that because I’m well read, and because I write, that I not only have good taste when it comes to the books I read, but also that I exercise that taste with every single book I read.
But the fact is, that like everyone else I like to unwind. Sometimes I like a book that isn’t challenging, has no deep meaning, no mysterious plot twists or characters that challenge my preconceptions.
But…I may not always carry that book quite as openly as most of the books I read.
So, tell me…what is your Dirty Little Reading Secret?
For me, I have an affinity for Star Wars novels. Specifically, the straight-to-paperback, starfighter-pilot-oriented series that have come out in recent years. The characters are one-dimensional, the plots are templates and the bad guys never quite die off. For me it’s the reading equivalent of television wrestling.
Weather and writing. More generally, weather and creativity. They are inextricably linked together through metaphor.
Throwing out ideas is a Brainstorm.
Ideas come in a flood—or sometimes a torrent.
Ideas come out of nowhere like a bolt of lightning.
Weather seems a particularly apt analogy for creativity. They both seem out of our control—random even. While weather forecasting has given us more lead time to react to weather, we still have no actions to control the air and water around us. When ideas come we are similarly expected—and we’re generally happy—to simply weather the storm.
While there are tips and tricks to keep the creative stream flowing—write every day at the same time, use handwriting in a journal to warm up, etc—we have all been struck down by writers’ block from time to time.
There’s weather for that, too.
Ideas dry up.
A chronic lack of ideas is a drought—or somewhat less frequently, a depression.
If you’re stuck in a rut and can’t get out, you’re in the doldrums¹.
While not universal, the tendency to relate our creativity to natural phenomenon is certainly widespread—cutting across several languages, and not limited to the cultures that spread out from Europe.
This close metaphorical tie has an interesting side effect. With weather there is no shortage of terms for describing when weather goes wrong, yet there’s a dearth of terms for nice things like a pleasant, sunny day, with a short rain shower for good measure. Similarly, there are few elegant ways to describe the condition of having just the right balance between new ideas and the time to explore those ideas.
This is all scene setting for the situation I’ve found myself in. While I’m not swimming in free time, I do have some. But when I sit down to write, I find myself tilling the dry, crumbly ground for even the hint of an idea.
¹ Doldrums refers to those parts of the Atlantic and the Pacific Oceans affected by a low-pressure area around the equator where the prevailing winds are calm. The doldrums are noted for calm periods when the winds disappear altogether, trapping sail-powered boats for periods of days or weeks (paraphrased from Wikipedia).
Looking back through my own life, there is certainly some anecdotal evidence to support the theory. The most creative places for me have always included the shower and driving alone in the car–places practically synonymous with boredom. And as I’ve gotten older, taken on more responsibility, and technology has become more ubiquitous, boredom is more and more rare.
If I’m in line waiting for the next cashier, I’m as likely to check my email as I am to let my mind wander. And that wandering mind is important in being a writer. Not only does it help you come up with ideas, plot and dialogue. But people watching and unconsciously soaking in the environment around you is critical in making your world and writing more real.
So…what to do?
1. Follow the link above and you can find out how to participate in the Bored and Brilliant challenge, taking place during the first week of February. All you’ll do is keep track of the time you spend on your phone over the course of that week. The data is going into a larger study about boredom and creativity.
2. Let yourself be bored, not just for a day, but as a reasonable part of your routine, and see if it has any affect on your creative soul.