I don’t think I’m going too far out on a limb to conclude that most writers, generally think of characters as dynamic beings. While I won’t itemize past posts you won’t have trouble finding opinions on this very blog about how certain characters are easily led, while others are uncooperative. And advice abounds about interviewing characters to challenge them in order to get at their inner core. Few authors seem to have complaints with their scenes or plots not cooperating, but it’s a common feeling that particular characters are just plain uncooperative.
I find this concept fascinating. On some level I know that it’s a sign that you have created a good character. Only well-formed characters are rounded enough to develop their own personality…their own energy…their own will.
Put them in the right situation and the scene will zip along, because you don’t have to worry about making them act the way you want them to. Instead, they take on a life of their own and all you have to do is chronicle what they’re doing. But put these characters in a situation they wouldn’t allow themselves in, or try to get them to act in a way they wouldn’t and they will fight with all their non-corporeal strength.
Being in this dilemma, also says something good about you–the writer. Think back–maybe a few months–maybe many years–and there was a time where your characters blithely did your bidding. They never fought back or threw up roadblocks. But now, the reader in you has stepped up and started checking your work before it’s even done. The reader inside you is saying, No, that’s not good enough. You can do better.
If you’ve a character of this quality, it’s likely that you’ve connected with her on some level. If you are lucky or skilled enough to create a character with this kind of spark—with a life of their own—you do whatever you can to keep them intact and honest. Scenes, plots, descriptions and whatnot are a whole lot easier to come by than a compelling character.